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FULL The Tender Land (Copland) Chicago IL 2022 Chicago Summer Opera

Video Recording from: YouTube     FULL VIDEO          Qries

Information on the Performance
Information about the Recording
  • Published by: Chicago Summer Opera  
  • Date Published: 2023  
  • Format: Streaming
  • Quality Video: 4 Audio:4
  • Subtitles: yessubs, ensubs  
  • Video Recording from: YouTube     FULL VIDEO

During the Great Depression, the Mosses, a farming family in the rural Midwest, anticipate both the spring harvest and the high school graduation of their eldest daughter, Laurie. One day, the youngest daughter, Beth, plays and dances with her doll in front of the family farm. The family hears troubling news of two wandering strangers who have been assaulting local girls.

Shortly afterwards, two itinerant farm workers, Top and Martin, arrive seeking work and are hired to help with the harvest. Laurie, who is torn between loyalty to her family and a desire to leave the farm to pursue her own dreams, shares a strong connection with Martin and is enthralled by the strangers’ tales of their wanderings. Laurie and Martin develop romantic feelings for one another, leading them to kiss at Laurie’s graduation party.

Laurie’s mother and grandfather have already harbored suspicions about Top and Martin and believe they may be the ones attacking women in the community; the kiss is the final nail in the coffin. Grandpa Moss tells the men they must leave in the morning, even when it becomes clear that they are innocent of the local crimes. Laurie and Martin dream of running away together, but in this Depression-era exploration of the American Dream, will their optimistic plans and young, simple love be enough to sustain them? Ultimately, Laurie must decide what she owes to her family and what she owes to herself.

The master of a uniquely American sound, Copland premiered The Tender Land, his only full-length opera, in 1954. It was initially panned by critics and received unenthusiastically by audiences due to its departure from standard operatic expectations. Today, critics like Christopher W. Patton argue that its simple plot should not obscure its “broad relevance and emotional appeal.” Copland’s librettist, Erik Johns, called the opera more of an “operatic tone poem” than a traditional opera and Patton calls it a “meditation, an attempt to capture the ephemeral, cyclical nature of time.”


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