FULL The Excursions of Mr.Broucek (Janacek) Brno 2024 Nicky Spence, Daniel Matoušek, David Szendiuch, Doubravka Novotná
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Information on the Performance
- Work Title: The Excursions of Mr. Brouček to the Moon and to the 15th Century aka Výlety páně Broučkovy   
- Composer: Janacek Leos  
- Libretto: Viktor Dyk, František Procházka Sarafínský, František Gellner, Josef Hóly, Zykmund Janke, Karel Mašek    Libretto Text, Libretto Index
- Venue & Opera Company: Janáček Opera, Brno, Czech Republic, National Theatre  
- Recorded: December 4, 2024
- Type: Staged Opera Live
- Singers: Nicky Spence, Daniel Matoušek, David Szendiuch, Doubravka Novotná, Jan Šťáva, Andrea Široká, Jana Horáková Levicová, Daniel Kfelíř, Tadeáš Hoza, Vít Nosek, Ondřej Koplík, Petr Karas, Martin Pavlíček, Pavel Valenta
- Conductor: Marko Ivanović  
- Orchestra: Janáček Opera NdB Orchestra  
- Chorus: Janáček Opera NdB Chorus  
- Chorus Master: Martin Buchta, Pavel Koňárek  
- Choreographer: Rebecca Howell  
Information about the Recording
- Published by: OperaVision  
- Date Published: 2024  
- Format: Streaming
- Quality Video: 4 Audio:4
- Subtitles: yessubs, ensubs, othersubs  
- Video Recording from: YouTube     FULL VIDEO
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ADDITIONAL INFORMATION ON THIS PERFORMANCE
The Excursions of Mr. Brouček to the Moon and to the 15th Century (Czech: Výlety páně Broučkovy) is the complete title of Leoš Janáček’s fifth opera, based on two Svatopluk Čech novels, Pravý výlet pana Broučka do Měsíce (1888) (The True Excursion of Mr. Brouček to the Moon) and Nový epochální výlet pana Broučka, tentokráte do XV. století (1889) (‘‘The Epoch-making Excursion of Mr. Brouček, this time to the 15th Century’’). The librettists for Part 1 were František Gellner, Viktor Dyk, František Sarafínský Procházka and others, while Part 2 was written by F. S. Procházka.
This two-part satirical opera was premiered at the National Theatre in Prague on 23 April 1920, the only Janáček opera not premiered in Brno.
Mr. Brouček (translated as “Mr. Beetle” (literally little beetle)) is a Philistine landlord in Prague who experiences a series of fantastic events as he is swept away (due in large part to excessive drinking) first to the Moon and then to 15th-century Prague, during the Hussite uprising against the Holy Roman Empire in 1420 (see Synopsis). In both excursions, Brouček encounters characters who are transformed versions of his earthly acquaintances.
Due to the popularity of the original novels by the iconic Czech writer Svatopluk Čech the opera was met with much scrutiny. Janáček experienced a number of setbacks in the creation and rehearsal of the work, especially in dealing with librettists (See Background). The composer’s aim in The Excursions of Mr. Brouček was apparently quite specific: “I want us to be disgusted with such people, to stamp on them and strangle them when we meet them,” speaking of Brouček. Janáček’s campaign, along with Čech’s, was against the pettiness of the bourgeoisie, specifically of Czechoslovakia. However, according to Desmond Shawe-Taylor, who saw the opera performed in Czechoslovakia, most observers reacted with cheerful laughter and even felt a bit sorry for the poor fellow Brouček. He became almost lovable rather than despised, as Janáček had originally intended, and his shortcomings, failings, and ordinariness tend to be seen as qualities common to regular citizens of all lands.
Synopsis
Part 1: The Excursions of Mr. Brouček to the Moon
Scene 1
Mr. Matěj Brouček is a rather unkempt drunken landlord in late 19th-century Prague. On a moonlit night in 1888, Mr. Brouček stumbles down Vikárka street after a drinking binge at the Hradčany tavern. In his impaired state, he encounters Málinka. She is upset and dramatically suicidal after discovering that her lover, Mazál (who happens to be one of Brouček’s tenants) has been cheating on her. In an ill-advised attempt to calm Málinka, Brouček agrees to marry her. He quickly realizes the error in this and retracts his offer, leaving Málinka to return to her bohemian lover. Brouček decides he has had enough of this stress and dreams of a more relaxed life on the Moon.
Scene 2
Brouček is quickly disillusioned by what he finds in his lunar paradise. He “lands” in the middle of an avant-garde colony of lunar artists and intellectuals, whom the uncultured Brouček clearly despises. He finds himself in the home of an avant-garde artist, Blankytny (a parallel character to Mazál). Blankytny sings a heartfelt ode of platonic love to the lunar maiden, Etherea. This signals the arrival of Etherea and her ‘sisters’ who commence with a song preaching the benefits of a healthy lifestyle. Ironically, Brouček catches the eye of the maiden, who becomes instantly infatuated with the exotic stranger. She whisks him away aboard mythical Pegasus, leaving behind Blankytny in disbelief and despair.
Scene 3
Etherea and Brouček land in the Lunar Temple of the Arts, where a group of inhabitants has gathered. They are immediately startled and frightened at the sight of Brouček, but soon see him as the latest vogue. The locals proceed to present Brouček with the latest in lunar art and treat him to a “meal” of sniffing flowers.[ Brouček is not at all pleased with this display of art, nor is he nourished by the fragrances. He is soon caught sneaking a bite of pork sausage; the crowd quickly turns on him, and he is forced into a furious escape aboard Pegasus. As he flees, the lunar artists sing praises to art.
Scene 4
As the Moon scene transforms back into the tavern courtyard in Prague, Mazál and Málinka are returning home, and the artists are enjoying a final drink. A young waiter laughs at the drunken Brouček who is being carried off in a barrel. Málinka is apparently recovered from her turmoil, as she and Mazál sing a duet of their love for each other.
Part 2: The Excursions of Mr. Brouček to the 15th Century
Scene 1
Set in the Castle of Wenceslas IV, Mr. Brouček and his fellow drinkers debate the particulars of the medieval tunnels that were believed to exist beneath the city of Prague.[ Once again, an inebriated Brouček staggers toward his home and is interrupted. He finds himself somehow in one of these dark tunnels, where he encounters apparitions from the past. One of these ghostly figures is Svatopluk Čech, the author of the Brouček stories and a famous Czech poet. Čech expresses his regret over the decline of moral values in the Czech nation.[10] He sings about the loss of true heroes and yearns for a rebirth of his nation. Ironically, Čech’s lament is directed toward Brouček himself and toward the satirical nature of this very opera.
Scene 2
Mr. Brouček is transported back in time and finds himself in the Old Town Square in 1420. This is a tumultuous period in 15th-century Prague, when the Czech people, led by Jan Žižka, were under siege by the German armies of the Holy Roman Empire. Brouček is quickly confronted by Hussite rebels, who accuse him of being a German spy, due to his poor Czech grammar laden with German expressions. Brouček somehow convinces the rebels that he is on their side and is allowed to join them.
Scene 3
Brouček is brought to the house of Domšik, a sacristan, and his daughter Kunka. Brouček now finds himself in the midst of an impending battle for the future of the Czech nation, signified by the powerful singing of battle hymns by the gathered masses. The rebels ask Brouček to assist in the defense of Prague, to which he is characteristically averse. As the battle begins, our hero flees the scene.
Scene 4
In Old Town Square, the people of Prague celebrate their hard-fought victory but lament the death of Domšik. Brouček is found in hiding and accused of treason. He is appropriately sentenced to death by burning…in a beer barrel.
Scene 5
Back in 1888 Prague, just outside the Vikárka Inn (Home of the Hradčany Tavern), Mr. Würfl, the landlord of the Inn and the maker of the infamous pork sausage from the Moon, hears moans coming from the cellar. He discovers Mr. Brouček in a beer barrel, visibly relieved to be alive and back home. Our shameless hero boasts to Würfl that he single-handedly liberated the city of Prague.
Quoted from Wikipedia