Le astuzie femminili (Cimarosa) Rieti 2022 Angela Schisano, Eleonora Bellocci, Martina Licari, Matteo Loi
Le astuzie femminili (Feminine wiles) is a dramma giocoso in four acts by Domenico Cimarosa with an Italian libretto by Giuseppe Palomba . The opera buffa premiered at the Teatro dei Fiorentini in Naples, Italy, on 26 August 1794. The opera was subsequently performed in Barcelona in 1795, Lisbon in 1797, Vienna in 1799, Paris […]
Le astuzie femminili (Cimarosa) Rieti 2022 Angela Schisano, Eleonora Bellocci, Martina Licari, Matteo Loi
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Information on the Performance
- Work Title: Le astuzie femminili  
- Composer: Cimarosa Domenico  
- Libretto: Giuseppe Palomba    Libretto Text, Libretto Index
- Venue & Opera Company: Teatro Flavio Vespasiano, Rieti, Italy  
- Recorded: October 2022
- Type: Staged Opera Live
- Singers: Angela Schisano, Eleonora Bellocci, Martina Licari, Matteo Loi, Rocco Cavalluzzi, Angela Schisario
- Conductor: Alessandro de Marchi  
- Orchestra: Theresia Orchestra  
- Stage Director: Cesare Scarton  
- Stage Designer: Michele della Schioppa  
- Costume Designer: Anna Biagiotti  
- Lighting Designer: Andrea Tocchio  
Information about the Recording
- Published by: Dynamic, Naxos  
- Date Published: 2023  
- Format: DVD & BD
- Quality Video: 5 Audio:5
- Subtitles: yessubs, ensubs, desubs, frsubs, itsubs, jpsubs, othersubs  
- Video Recording from: AMAZON     #ad   Get this Recording
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ADDITIONAL INFORMATION ON THIS PERFORMANCE
Le astuzie femminili (Feminine wiles) is a dramma giocoso in four acts by Domenico Cimarosa with an Italian libretto by Giuseppe Palomba . The opera buffa premiered at the Teatro dei Fiorentini in Naples, Italy, on 26 August 1794. The opera was subsequently performed in Barcelona in 1795, Lisbon in 1797, Vienna in 1799, Paris in 1802, and London in 1804, remaining popular during the first quarter of the nineteenth century. Although not performed often today, the opera is still occasionally revived and a number of recordings have been made.
It is at a disappointing London performance of Le astuzie feminili that Stephen Maturin glimpses Diana Villiers, now a kept woman, in Patrick O’Brian’s historical novel Post Captain
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