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FULL LA VORÁGINE (Ripper) Manaus 2025 Homero Velho, Eliana Piedrahita, Enrique Bravo, Sara Bermúdez

Video Recording from: YouTube     FULL VIDEO          Qries

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Information on the Performance
Information about the Recording
  • Published by: Cultura do AM  
  • Date Published: 2025  
  • Format: Streaming
  • Quality Video: 4 Audio:4
  • Subtitles: yessubs, othersubs  
  • Video Recording from: YouTube     FULL VIDEO
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ADDITIONAL INFORMATION ON THIS PERFORMANCE

La vorágine , which is a co-production with Colombia, had its world premiere in Bogotá earlier this year. The production is already a result of FAO’s efforts to create cooperation for operatic productions, such as those announced the following day with the Creative Corridor of the Amazon ( read more here ). The opera has stage direction by Colombian Pedro Salazar and is conducted by maestro Luiz Fernando Malheiro, who is also the artistic director of the festival.

La vorágine , which can be translated as “the whirlwind”, is an adaptation of the novel by Colombian writer José Eustasio Rivera (1889-1928). The libretto, also written by Ripper, speaks of ambition, love, exploitation and violence in the Amazon, with henchmen, rubber tappers and indigenous people. The opera was commissioned from Ripper by the Centro Nacional de las Artes – Delia and La Compañia Estable, both institutions in Colombia, on the occasion of the centenary celebrations of the first edition of the book, which is a classic of Colombian literature.

The opera, in three acts and sung in Spanish, tells the story of Arturo Cova and Alicia, lovers who flee Bogotá to escape an arranged marriage. Taking refuge in La Maporita, in the Casanare region, their relationship quickly deteriorates. Alicia is kidnapped by Narciso Barrera, an unscrupulous recruiter of workers for the rubber plantations, along with Griselda, a woman Arturo is enchanted by. Wounded and humiliated, Arturo sets off in pursuit of the kidnapper, accompanied by Fidel Franco. The journey reveals brutal abuses committed on the rubber plantations, including debt slavery. With the help of Clemente Silva, a grieving man carrying the bones of his son, Arturo reunites with Alicia, who is pregnant. In a final confrontation, Barrera is killed by the enslaved indigenous people. The reunion of the couples and the burial of Silva’s son mark the end of the opera.

Quoted from Concerto.com.br

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