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FULL ARD-Musikwettbewerb Gesang FINAL Munich 2021
Information on the Performance
- Work Title: ARD-Musikwettbewerb Gesang FINAL
- Composer: various
- Libretto: various
- Venue & Opera Company: Prinzregententheater, München, Germany
- Recorded: September 11, 2021
- Type: Concert Live
- Singers: Julia Grüter, Valerie Eickhoff, Anastasiya Taratorkina, Jeongmeen Ahn, Iida Antola
- Conductor: Matthias Foremny
- Orchestra: Münchner Rundfunkorchester
- Stage Director:
- Costume Designer:
Information about the Recording
- Published by: BR-KLASSIK
- Date Published: 2021
- Format: Streaming
- Quality Video: 3 Audio:4
- Subtitles: nosubs
ADDITIONAL INFORMATION ON THIS PERFORMANCE
Valerie Eickhoff, Deutschland
Wolfgang Amadeus Mozart (1756-1791), La clemenza di Tito: Parto, parto, ma tu ben mio (Sesto)
Johann Sebastian Bach (1685-1750): Matthäus-Passion: Erbarme dich, mein Gott, BWV 244
Gioacchino Rossini (1792-1868), Il barbiere di Siviglia: Una voce poco fa (Rosina)
Jeongmeen Ahn, Südkorea
Gioacchino Rossini (1792-1868), Il barbiere di Siviglia: Largo al factotum della città (Figaro)
Benjamin Britten (1913-1976): Billy Budd: Look! Through the port comes the moonshine (Billy Budd)
Giuseppe Verdi (1813-1901), Falstaff: È sogno? O realtà? (Ford)
Julia Grüter, Deutschland
Felix Mendelssohn Bartholdy (1809-1847), Elias: Höre, Israel
Georg Friedrich Händel (1685-1759), Giulio Cesare: E pur così – Piangerò la sorte mia (Cleopatra)
Wolfgang Amadeus Mozart (1756-1791), Così fan tutte: Temerari! – Come scoglio immoto resta (Fiordiligi)
Iida Antola, Finnland
Giacomo Puccini (1858-1924), La Bohème: Sì, mi chiamano Mimì (Mimì)
Wolfgang Amadeus Mozart (1756-1791), Don Giovanni: In quali eccessi – Mi tradì quell’alma ingrata (Donna Elvira)
Charles Gounod (1818-1893), Faust: O Dieu! Que de bijoux – Ah, je ris de me voir (Margarethe)
Anastasiya Taratorkina, Deutschland/Russland
Gaetano Donizetti (1797-1848), Don Pasquale: Quel guardo il cavaliere (Norina)
Wolfgang Amadeus (1756-1791), Die Zauberflöte: Ach, ich fühl’s
Igor Strawinsky (1882-1971), The Rake’s Progress: No word from Tom