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Information about the Recording
  • Published by: OoV  
  • Date Published: 2023  
  • Format: Unknown
  • Quality Video: 3 Audio:3
  • Subtitles: nosubs  
  • Video Recording from: YouTube     FULL VIDEO
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ADDITIONAL INFORMATION ON THIS PERFORMANCE

Anna Moffo (June 27, 1932 – March 9, 2006) was an American opera singer, television personality, and actress. One of the leading lyric-coloratura sopranos of her generation, she possessed a warm and radiant voice of considerable range and agility. Noted for her physical beauty, she was nicknamed “La Bellissima”.

Winning a Fulbright scholarship to study in Italy, Moffo became popular there after performing leading operatic roles on three RAI television productions in 1956. She returned to America for her debut at the Lyric Opera of Chicago on October 16, 1957. In New York, her Metropolitan Opera debut took place on November 14, 1959. She performed at the Met for over seventeen seasons. Moffo’s earliest recordings were made for EMI Records; she signed an exclusive contract with RCA Victor in 1960, recording for the company until the late 1970s. In the early 1960s, she hosted her own show on Italian television and appeared in several operatic films along with other non-singing roles.

In the early 1970s Moffo extended her international popularity to Germany through operatic performances, TV appearances, and several films, all while continuing her American operatic performances. Due to an extremely heavy workload, Moffo suffered a serious vocal breakdown from which she never fully recovered. Her final appearance at the Metropolitan Opera was in 1983.

Anna Moffo was born in Wayne, Pennsylvania to Italian immigrant parents, Nicola Moffo (a shoemaker) and his wife, Regina (née Cinti) Moffo. After graduating from Radnor High School, Anna turned down an offer to go to Hollywood and instead attended the Curtis Institute of Music in Philadelphia, where she studied with Eufemia Giannini-Gregory, sister of soprano Dusolina Giannini. In 1954, on a Fulbright scholarship, she left for Italy to complete her studies at the Accademia Nazionale di Santa Cecilia in Rome where she was a pupil of Mercedes Llopart and Luigi Ricci. She later studied voice privately in New York City with Beverley Peck Johnson.

Moffo made her official operatic debut in 1955 in Spoleto as Norina in Don Pasquale. Shortly after, still virtually unknown and little experienced, she was offered the challenging role of Cio-Cio San in an Italian television (RAI) production of Madama Butterfly. The telecast aired on January 24, 1956, and made Moffo an overnight sensation throughout Italy. Offers quickly followed and she appeared in two other television productions that same year, as Nannetta in Falstaff and as Amina in La sonnambula. She appeared as Zerlina in Don Giovanni, at the Aix-en-Provence Festival and made her recording debut for EMI as Nannetta (Falstaff) under Herbert von Karajan, and as Musetta in La bohème with Maria Callas, Giuseppe Di Stefano and Rolando Panerai. The following year (1957) saw her debut at the Vienna State Opera, the Salzburg Festival, at La Scala in Milan and the Teatro San Carlo in Naples. Moffo returned to America for her debut there, as Mimì in La bohème next to Jussi Björling’s Rodolfo, at the Lyric Opera of Chicago on October 16, 1957. Moffo had three other roles at the Lyric that season: Mignon, Le nozze di Figaro (with Tito Gobbi, Giulietta Simionato and Eleanor Steber) and Lucia di Lammermoor. On at least one occasion her performance of Lucia’s Mad Scene earned Moffo a 10-minute standing ovation.

Her Metropolitan Opera debut took place on November 14, 1959, as Violetta in La traviata, a part that would quickly become her signature role. She performed at The Metropolitan Opera for seventeen seasons in roles such as Lucia, Gilda, Adina, Mimì, Liù, Nedda, Pamina, Marguerite, Juliette, Manon, Mélisande, Périchole, and the four heroines of Les contes d’Hoffmann. Alfred Lunt’s production of La Traviata as part of the opening of the new Metropolitan Opera House in the Lincoln Center in 1966 was mounted especially for her. In the late 1950s, she recorded Susanna in Le nozze di Figaro, opposite Elisabeth Schwarzkopf and Giuseppe Taddei, conducted by Carlo Maria Giulini; and recitals of Mozart arias with EMI. She then became an exclusive RCA Victor artist.

Moffo was also invited to sing at the San Francisco Opera where she made her debut as Amina on October 1, 1960. During that period she also made several appearances on American television, while enjoying a successful international career singing at most major opera houses around the world (Stockholm, Berlin, Monte Carlo, Mexico City, Buenos Aires, etc.). At the Metropolitan Opera in March 1961 with Birgit Nilsson and Franco Corelli she performed in Turandot as Liù, conducted by Leopold Stokowski. She made her debut at the Royal Opera House in London, as Gilda, in a Franco Zeffirelli production of Rigoletto. Shortly after the Italian tenor Sergio Franchi joined RCA Victor, they recorded a popular album of operetta duets, The Dream Duet, which peaked at number ninety seven on the Billboard 200 in 1963. Later that year Franchi and Moffo collaborated in recording excerpts from Die Fledermaus with the Vienna State Orchestra and Chorus conducted by Oskar Danon. In 1999 this album was re-mastered and re-issued in High Performance Stereo.

Moffo remained particularly popular in Italy and performed there regularly. She hosted a program on Italian television “The Anna Moffo Show” (two series: the first in 1964; the second in 1967) and was voted one of the ten most beautiful women in Italy. She appeared in film versions of La traviata (1967) and Lucia di Lammermoor (1971), both produced (with the Italian TV director Sandro Bolchi) and directed by her first husband Mario Lanfranchi, as well as non-operatic films, including Menage all’italiana (1965), the then controversial Una storia d’amore (1970), The Adventurers (1970), A Girl Called Jules (1970), and The Weekend Murders (1970). In the early 1970s, she began appearing on German television and in operetta films such as Die Csárdásfürstin and Die schöne Galathée. She also recorded with Eurodisc a lieder album and the title roles in Carmen and Iphigenie in Aulis, as well as the role of Hänsel in Hänsel und Gretel.

Her heavy workload led to physical exhaustion and serious vocal impairment in 1974, from which she never fully recovered. Although she continued to sing in staged opera through 1980, her appearances became more sporadic. Her last performance at the Met was during the 1983 Centennial celebrations, where she sang the Sigmund Romberg duet “Will You Remember?” with Robert Merrill. After retiring from singing Moffo remained active as a board member of the Metropolitan Opera Guild and by hosting several tributes and giving occasional masterclasses.

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