FULL AGUA, AZUCARILLOS Y AGUARDIENTE (Chueca) Burgos 2022 Rebeca García, Almudena Martínez, Beatriz Valbuena
Agua, azucarillos y aguardiente is a one-act zarzuela (small genre) with a libretto by Miguel Ramos Carrión and music by Federico Chueca. It premiered at the Apolo theater in Madrid on June 23, 1897. The work remained at the Apolo and later during the summer it moved to the Príncipe Alfonso theater; In mid-September he […]
FULL AGUA, AZUCARILLOS Y AGUARDIENTE (Chueca) Burgos 2022 Rebeca García, Almudena Martínez, Beatriz Valbuena
Video Recording from: YouTube    
FULL VIDEO
    
   
Information on the Performance
- Work Title: AGUA, AZUCARILLOS Y AGUARDIENTE  
- Composer: Chueca Federico   
- Libretto: Miguel Ramos Carrión    Libretto Text, Libretto Index
- Venue & Opera Company: Teatro Principal, Burgos, Spain  
- Recorded: December 11, 2022
- Type: Staged Opera Live
- Singers: Rebeca García, Almudena Martínez, Beatriz Valbuena, Raquel Rodríguez, Javier Sariot, Rafael Martínez, Adolfo Muñoz
- Conductor: Pedro Bartolomé Arce  
- Orchestra: Joven Orquesta Sinfónica de Burgos  
- Chorus: Orfeón Burgalés  
- Stage Director: Pedro Bartolomé Arce  
- Costume Designer:   
Information about the Recording
- Published by: Joven Orquesta Sinfónica de Burgos  
- Date Published: 2023  
- Format: Streaming
- Quality Video: 4 Audio:4
- Subtitles: nosubs  
- Video Recording from: YouTube     FULL VIDEO
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ADDITIONAL INFORMATION ON THIS PERFORMANCE
Agua, azucarillos y aguardiente is a one-act zarzuela (small genre) with a libretto by Miguel Ramos Carrión and music by Federico Chueca. It premiered at the Apolo theater in Madrid on June 23, 1897. The work remained at the Apolo and later during the summer it moved to the Príncipe Alfonso theater; In mid-September he returned to the Apolo. It reached two hundred performances without interruption. In 1897, with the hundredth performance, a tribute was paid to its authors Chueca and Ramos Carrión. For years it remained on the billboards of other theaters in Spain and Latin America, becoming part of almost all lyrical repertoires.
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