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FULL THE NOSE Madrid 2023 Martin Winkler, Alexander Teliga, Ania Jeruc, Andrey Popov
STREAM IT from Uttopion
Information on the Performance
- Work Title: The Nose aka Nos  
- Composer: Shostokovich Dmitri  
- Libretto: Dmitri Shostakovich, Yevgeny Zamyatin, Alexander Preys    Libretto Text, Libretto Index
- Venue & Opera Company: Teatro Real de Madrid, Spain  
- Recorded: March 17, 2023
- Type: Staged Opera Live
- Singers: Martin Winkler, Alexander Teliga, Ania Jeruc, Andrey Popov, Vasily Efimov, Anton Rositskiy, Stephan Astakhov, Dmitry Ivanchey, Margarita Nekrasova, Iwona Sobotka
- Conductor: Mark Wigglesworth  
- Orchestra: Orquesta Titular del Teatro Real  
- Chorus: Coro Titular del Teatro Real  
- Chorus Master: Andrés Máspero  
- Choreographer: Otto Pichler  
- Stage Director: Barrie Kosky  
- Stage Designer: Klaus Grünberg  
- Costume Designer: Buki Shiff  
- Lighting Designer: Klaus Grünberg  
Information about the Recording
- Published by: Teatro Real  
- Date Published: 2023  
- Format: Streaming
- Quality Video: 4 Audio:4
- Subtitles: yessubs, essubs  
ADDITIONAL INFORMATION ON THIS PERFORMANCE
The Teatro Real will become the first lyric theatre in the world to broadcast an opera live in the metaverse.
Friday, 17 March, at 7.30 a.m. (CET), the avatars surfing in Uttopion, the first Spanish metaverse, will be able to watch Dmitri Shostakovich’s ‘The Nose’ live, in the fun, dreamlike, daring and caustic staging by Barrie Kosky, with musical direction by Mark Wigglesworth.
This virtual performance will be offered in a 3D replica of the Teatro Real in the metaverse, where avatars will be able to sit comfortably to watch the opera, observe and interact with the other ‘metaspectators’ present in the hall.
The Metaverse is a multi-user environment that merges physical reality with digital virtuality and allows the creation of immersive and interactive experiences. The Teatro Real, in the development of its strategic objective of technological innovation, is committed to this new virtual reality to reach new audiences, especially Generation Z (young people born after 2000 and considered ‘digital natives’).