FULL The Ballad of Baby Doe (Moore) TV-Opera New York 1957 Martha Lipton, Virginia Copeland, William Johnson

Information on the Performance

• Work Title: The Ballad of Baby Doe  
• Composer: Moore Douglas  
• Libretto: John Latouche    Libretto Text, Libretto Index
• Venue & Opera Company: TV-Studio New York  
• Recorded: 1957
• Type: Staged Opera Live
• Singers: Martha Lipton, Virginia Copeland, William Johnson, Lee Becker, Cathryn Damon, Evelyn Lear, Margery Mayer, John Taliaferro, Michael Massa, Virginia Martin
• Conductor: Sylvan Levin  
• Orchestra: Symphony of the Air  
• Stage Director: Charles S. Dubin  
• Costume Designer:   

Information about the Recording

• Published by: ABC  
• Date Published: 1957  
• Format: Broadcast
• Quality Video: 3 Audio:3
• Subtitles: yessubs, ensubs, gensubs  
• Video Recording from: YouTube     FULL VIDEO
•  

ADDITIONAL INFORMATION ON THIS PERFORMANCE

Quote from Wikipedia:
The Ballad of Baby Doe is an opera by the American composer Douglas Moore that uses an English-language libretto by John Latouche. It is Moore’s most famous opera and one of the few American operas to be in the standard repertory. Especially famous are the title heroine’s five arias: “Letter Aria,” “Willow Song,” “I Knew it Was Wrong”, “Gold is a Fine Thing”, and “Always Through the Changing.” Horace Tabor’s “Warm as the Autumn Light” is also frequently heard. Distinguished sopranos who have portrayed Baby Doe include Beverly Sills (Moore’s favorite interpreter of the role), Ruth Welting, Karan Armstrong, Faith Esham, and Elizabeth Futral.

The opera’s premiere took place at the Central City Opera in Colorado in 1956. Hanya Holm and Edwin Levy directed the production, and sopranos Dolores Wilson and Leyna Gabriele alternated in the title role. The opera’s New York premiere, directed by Vladimir Rosing, was presented at the New York City Opera in 1958. This revised version added the gambling scene in Act 2 and an additional aria for Baby Doe. Further revisions were being considered, but these were abandoned upon the sudden death of Latouche.

Based on the lives of historical figures Horace Tabor, a wealthy mine owner; his wife Augusta Tabor, and Elizabeth “Baby” Doe Tabor, the opera explores their lives from Horace and Baby Doe’s meeting to the death of Horace. “Always Through the Changing” is a postscript ending foretelling Baby’s death.