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FULL SOLOISTS OF PERM OPERA Perm 2024 Natalia Lyaskova, Zarina Abaeva, Natalya Buklaga, Nadezhda Pavlova
Information on the Performance
- Work Title: Soloists of Perm Opera
- Composer: various
- Libretto: various
- Venue & Opera Company: Perm Opera and Ballet Theater, Russia
- Recorded: January 12, 2024
- Type: Concert Live
- Singers: Natalia Lyaskova, Zarina Abaeva, Natalya Buklaga, Nadezhda Pavlova
- Conductor: Vladimir Tkachenko
- Orchestra: Orchestra of the Perm Opera and Ballet Theater
- Chorus Master: Ekaterina Antonenko, Vyacheslav Kozlenko
- Stage Director:
- Costume Designer:
Information about the Recording
- Published by: Perm Opera and Ballet Theater
- Date Published: 2024
- Format: Streaming
- Quality Video: 4 Audio:4
- Subtitles: nosubs
ADDITIONAL INFORMATION ON THIS PERFORMANCE
In a programme:
Johannes Brahms (1833—1897)
Rhapsody for alt, male choir and orchestra, op. 53
soloist – Natalia Lyaskova
Richard Strauss (1864—1949)
“Four Last Songs”, op. 150
soloist – Zarina Abaeva
Gustav Mahler (1860—1911)
“Lieder eines fahrenden Gesellen” (1892-1893)
soloist – Natalya Buklaga
Alban Berg (1885—1935)
“Seven Early Songs” (1905-1908)
soloist – Nadezhda Pavlova
The musical drama “Tristan and Isolde” (1865) entered the history of music as a turning point, marking the peak and heralding the decline of European romanticism. Its symbol was the “Tristan chord”, sounding in the very first bars of the opera – a dissonant consonance that the composer, contrary to tradition, left without permission. The score, a watershed between late romanticism and modernism, opened the door to the musical 20th century – it is this boundary between the art of modern and contemporary times that the program of the concert of soloists of the Perm Opera explores. Dedicated to the music of composers of Austria and Germany at the turn of the two eras, it presents various projections of this fascinating plot: from Johannes Brahms’ Alt Rhapsody, written to the text of Johann Wolfgang von Goethe’s poem “Winter Journey to the Harz” (1869) – to Gustav Mahler’s “Songs of the Wayfarer” , making you remember the cycles of Franz Schubert; from Alban Berg’s “Seven Early Songs,” composed during his studies with Arnold Schoenberg, to the neo-romanticism of Richard Strauss’s “Four Last Songs,” completed in 1948.