FULL SHIBBOLETH (Aigerim Seilova) Hamburg 2022 Sonja Boskou, Rebecca Frese, Freja Sandkamm, Lukas Anton, Joël Vuik
Information on the Performance
- Work Title: Shibboleth
- Composer: Seilova Aigerim
- Libretto: jari Libretto Text, Libretto Index
- Venue & Opera Company: Hochschule für Musik und Theater Hamburg
- Recorded: 2022
- Type: Staged Opera Live
- Singers: Sonja Boskou, Rebecca Frese, Freja Sandkamm, Lukas Anton, Joël Vuik
- Conductor: David Bui
- Orchestra: Instrumental Ensemble
- Stage Director: jari niesner
- Stage Designer: Janina Luckow
- Costume Designer: Caroline Packenius
Information about the Recording
- Format: Streaming
- Quality Video: 4 Audio:4
- Subtitles: nosubs
- Video Recording from: YouTube FULL VIDEO
ADDITIONAL INFORMATION ON THIS PERFORMANCE
The multimedia opera shibboleth enters the mysterious world of the Internet––as a virtual doubling of the world, as a new kind of living space, as opportunity and danger. In a dreamlike allegory, we accompany the avatars of the musical piece into the branching corridors of an infinite hotel on their search for a secret room, through which they can modify their identities. However, this secret room can only be entered with a correct passport. The hackers Frank*5 and Guy1605, who get to know each other at a masked ball in a virtual club, only manage to find their own identities through a game of identity confusion. Chance encounters, hidden clues, unexpected abilities, and impenetrable fate enter into a game of transformation with one another, raising questions of privacy and illuminating the potential of anonymity.
“shibboleth” traces its etymology to a story from the Book of Judges. Originally a linguistic feature instrumentalized to identify and isolate social groups, the Hebrew word is now synonymized with “code word.” Modern usage of the term includes its use as a password that allows a community to access a resource without the individual user having to reveal their identity. In the digital world, codes open or deny entry into other spaces, demarcate certain groups from others, and effect a kind of information monopoly for those who know the code.
Codes as a mark of identity? As a cloak of invisibility? Hacking as a redefinition of identity and virtual extension of real possibilities? What other possibilities arise in the ocean of the Internet? Today’s world is hardly imaginable without the Internet. Reality gets lost in virtuality, virtuality becomes more and more reality. Because of the possibility to communicate online, usernames and profiles become more and more important. For many chat partners and group members, the real identity of the other person remains largely unknown. We have long been accustomed to recognizing usernames and profiles as ‘persons’. So are we ourselves still ‘real’ even in chats and forums? For the protagonists in shibboleth, too, the boundaries between the virtual and the real are blurring.