Scenes from A THOUSAND SPLENDID SUNS (Sheila Silver) New York 2016 Thor Arbjornsson, Lucy Fitz Gibbon, Ron Loyd, Aleksandra Romano

Information on the Performance

• Work Title: Scenes from A THOUSAND SPLENDID SUNS   
• Composer: Silver Sheila   
• Libretto: Stephen Kitsakos based on the novel by Khaled Hosseini  
• Venue & Opera Company: Trinity Church, New York City  
• Recorded: January 18, 2016
• Type: Concert Live
• Singers: Thor Arbjornsson, Lucy Fitz Gibbon, Ron Loyd, Aleksandra Romano, Vira Slywotzky
• Conductor: Sara Jobin  
• Orchestra: NOVUS NY  
• Stage Director: Leslie Swackhame  
• Costume Designer:   

Information about the Recording

• Published by: American Opera Projects  
• Date Published: 2016  
• Format: Streaming
• Quality Video: 4 Audio:4
• Subtitles: nosubs  

• ADDITIONAL INFORMATION ON THIS PERFORMANCE

  A Thousand Splendid Suns is an opera with music by American composer Sheila Silver and an English-language libretto by Stephen Kitsakos, based on the popular novel by Khaled Hosseini. It was commissioned by Seattle Opera, where it premiered February 25, 2023. The opera tells the story of two Afghan women, from different generations and walks of life, who are forced into marriage with the same man. Enemies at first, they grow to love each other like mother and daughter, and discover that the human spirit can survive and transcend the most challenging of circumstances.

  The opera is in two acts and is scored for 11 singers, 1 singing child role, full orchestra (plus bansuri and tabla) and has a duration of 2 hours 43 minutes.

  Synopsis
  Fifteen-year-old Mariam, the cast-off bastard child of a rich father, is forced to leave her rural home after her mother’s suicide and marry a middle-aged shoe-maker from Kabul named Rasheed. Alone, scared and forced to wear the burqa, something unfamiliar to her, she tries her best to be a dutiful wife but is unable to conceive a child. Consequently, she lives a loveless existence with a husband who abuses her regularly for her failure to give him a son.

  Years later, as competing factions of sectarian warlords secure a stranglehold on Kabul, a bomb explodes in Mariam’s neighborhood killing the parents of fourteen-year-old Laila, a modern, educated, ravishing beauty. Rasheed brings the wounded girl to his home and Mariam, reluctantly, nurses her back to health. Rasheed, now a sixty-year-old man, schemes to get Laila to marry him by concocting a story that her beloved fiancée, Tariq, who was forced to flee to Pakistan a few weeks earlier with his parents, has been killed. Laila, secretly carrying Tariq’s child, agrees to marry Rasheed, hoping to create a safe haven for the child.

  At first Mariam is cold to Laila, but gradually the women bond over Laila’s baby, a girl named Aziza, as well as their hatred of Rasheed, who abuses them physically and psychologically. Eventually the Taliban rise to power and life in Kabul becomes more oppressive. When the two wives and Aziza attempt a daring escape from the city they are caught at the Kabul central bus station, escalating Rasheed’s abuse and anger. Although Laila eventually gives Rasheed the son he has always wanted, the violence continues.

  The turning point comes when Tariq, Laila’s beloved, returns to Kabul and finds her. Rasheed learns of Tariq’s visit to the house and in an act of extreme rage begins to strangle Laila. Mariam, refusing to stand silent, saves Laila’s life by hitting Rasheed on the head with a shovel, killing him.

  Mariam convinces Laila to flee with Tariq and Laila’s two children. She will remain behind to take responsibility for killing Rasheed, knowing that she will be sentenced to death. As Mariam walks to her execution, an understanding of her life brings her a sense of self-worth and spiritual peace: she has loved and been loved. She saved Laila’s life and has lived a life of consequence. She knows that Allah will forgive her.

   

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