FULL SALVATOR ROSA (Gomes) Manaus 2026 Enrique Bravo, Eiko Senda, Luiz-Ottavio Faria

Information on the Performance

• Work Title: SALVATOR ROSA  
• Composer: Gomes Antonio Carlos  
• Libretto: Antonio Ghislanzoni    Libretto Text, Libretto Index
• Venue & Opera Company: Teatro Amazonas, Manaus, Brazil  
• Recorded: May 15, 2026
• Type: Staged Opera Live
• Singers: Enrique Bravo, Eiko Senda, Luiz-Ottavio Faria, Sunu Seungwoo Sun, Maria Gerk, Mirian Abad, , Cristhiano Silv, Humberto Sobrinho, Emanuel Conde, Roberto Paulo Silva.
• Conductor: Maestro Luiz Fernando Malheiro   
• Orchestra: Amazonas Filarmônica  
• Chorus: Coral do Amazonas  
• Stage Director: Julianna Santos  
• Stage Designer: Renato Theobaldo  
• Costume Designer:   

Information about the Recording

• Published by: Governo do Estado do Amazonas  
• Date Published: 2026  
• Format: Streaming
• Quality Video: 4 Audio:4
• Subtitles: yessubs, othersubs  

• ADDITIONAL INFORMATION ON THIS PERFORMANCE

  Salvator Rosa (also known as Salvador Rosa) is the fifth opera by the Brazilian composer , Antônio Carlos Gomes (1836 – 1896). The libretto , by Antonio Ghislanzoni , is inspired by the novel Masaniello (1851), by the French writer Charles Jean-Baptiste Jacquot (1812 – 1880), who, in turn, was freely inspired by the lives of the Italian painter and poet Salvator Rosa and Masaniello , a Neapolitan fishmonger who led a popular revolt in Naples , between July 7 and 16, 1647 , against the fiscal oppression of the Spanish Habsburg government.

  Salvator Rosa premiered at the Teatro Carlo Felice in Genoa, Italy, on March 21, 1874.

  Following the premiere of the opera Fosca (1873), Carlos Gomes decided to write an opera to “please” the Italian public with captivating melodies and a libretto based on the story of an Italian hero. It was written in six months, as a kind of revenge because Fosca, so meticulously crafted, was not well received. In Fosca, the music was composed with great erudition, whereas Salvador Rosa’s work had a more popular approach. It ended up becoming one of his greatest successes, so much so that in the years 1876-77 it was presented at the opening of the opera season in six of the most important Italian theaters.

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