FULL SALOME in English New York 2025 Summer Hassan, Patrick Cook, Nathaniel Sullivan, Manna K Jones
What do we do while we wait for the world to end? In a society at the height of decadence, where pop stars sing for despots’ birthdays, and even fools can be billionaires, it’s not only the prophets who are kept in cages. There’s one for each of us. In a decaying palace on the […]
FULL SALOME in English New York 2025 Summer Hassan, Patrick Cook, Nathaniel Sullivan, Manna K Jones
Video Recording from: YouTube    
FULL VIDEO
    
   
MORE VIDEO FILES: b>VIDEO, VIDEO, VIDEO, VIDEO, VIDEOStage Director: Elizabeth Dinkova  
Stage Designer: Emona Stoykova  
Costume Designer: Mika Eubanks  
Lighting Designer: Emma Deane  

MORE VIDEO FILES: b>VIDEO, VIDEO, VIDEO, VIDEO, VIDEO
Information on the Performance
- Work Title: SALOME in English   
- Composer: Strauss Richard  
- Libretto: Hedwig Lachmann, Oscar Wilde, English singing translation by Tom Hammond    Libretto Text, Libretto Index
- Venue & Opera Company: The Space at Irondale, Brooklyn, New York  
- Recorded: February 12, 2025
- Type: Staged Opera Live
- Singers: Summer Hassan, Patrick Cook, Nathaniel Sullivan, Manna K Jones, David Morgans, Melina Jaharis, Jeremy Harr
- Conductor: Jacob Ashworth  
- Orchestra: 10-instrument band  
Information about the Recording
- Published by: heartbeat Opera  
- Date Published: 2025  
- Format: Streaming
- Quality Video: 4 Audio:4
- Subtitles: yessubs, ensubs  
- Video Recording from: YouTube     FULL VIDEO
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ADDITIONAL INFORMATION ON THIS PERFORMANCE
What do we do while we wait for the world to end? In a society at the height of decadence, where pop stars sing for despots’ birthdays, and even fools can be billionaires, it’s not only the prophets who are kept in cages. There’s one for each of us. In a decaying palace on the edge of the world, everyone is yearning for something to believe in. Sung in English to recapture the shock of Strauss’s scandalous classic, Heartbeat’s intimate new take features a fresh 10-instrument orchestration by Dan Schlosberg of one of Opera’s most extravagant scores.
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