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FULL REVOLUTIONS 6 MINI OPERAS (various) London 2024 Royal College of Music


Information on the Performance
Information about the Recording
  • Published by: Royal College of Music  
  • Date Published: 2024  
  • Format: Streaming
  • Quality Video: 4 Audio:4
  • Subtitles: yessubs, ensubs  
  • ADDITIONAL INFORMATION ON THIS PERFORMANCE

    Once again, Tête à Tête brings our trademark theatrical flair to our sixth collaboration with inspirational composers, singers, instrumentalists and production department of the Royal College of Music, where we’ll create another rollercoaster evening of six short operas.

    Inspired by the theme of revolutions, we visit Paris in 1927, Norfolk in the 1970s, louche London of the 1870s, Ukraine 1924, Yekaterinburg 1918 and present-day London, each at a major pivot point in their own history, all conceived and performed with the hottest young talent in opera.

    Airtime

    Music: Ed Driver

    Words: Samir Chadha

    1927; the whole of Paris regulates its timepieces by the rhythm of the city’s most regular breather, Philippe N Dulum, until this regularity is disturbed and the city thrown into turmoil…

    Church on the Blood

    Music and Words: Jasmine Morris

    Russia, July 1918; the Romanov family are held captive in Ipatiev House, Yekaterinburg. Their lives and those all around them are about to be catapulted into a deadly revolution…

    Fanny and Stella’s Last Day Out

    Music: Jasper Dommett

    Words: Jessica Walker

    April 1870, London; Fanny and Stella are gleeful Victorian female impersonators, celebrated for the joy they share – until they are brought to trial and brutally cross-examined…

    The Drifterman

    Music & Words: Connie Harris

    1970s Norfolk; Danny is the only drifterman still fishing in the traditional manner from his small boat. Trapped at sea with his grandson, he is plagued by a sinister presence…

    I (Romance)

    Music and Words: Alisa Zaika, based on the 1924 novel by Mykola Khvylovy:

    1920’s Ukraine under the Bolshevik rule; secret police agent “I” faces the tensions between duty to the state and the conscience of his own human self.

    The Anthem

    Music: Jasper Eaglesfield

    Words: Harry Davies

    Monarchy is no more. While Court Composer Nicholas Lear is forced to create a new national anthem, his journalist wife, Imogen, uncovers the nefarious political forces hellbent on the destruction of democracy itself.

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