FULL L’Italia del destino (Luca Mosca) Florence 2011 Bruera Caiello Zavalloni Mingardo Livermore
It consists of twenty-eight sections (prologue, epilogue, nine advertising spaces, two newscasts, eleven scenes, four confessionals) which, while taking place without interruption, give this work the sense of continuous change, such as the zapping that the viewer carries out. sometimes frantically. The seven characters who act in the “house” of “Real-Italy” (La Waitress, a self-styled […]
FULL L’Italia del destino (Luca Mosca) Florence 2011 Bruera Caiello Zavalloni Mingardo Livermore
Popular Singers in this Opera Recording
Video Recording from: YouTube    
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Information on the Performance
- Work Title: L'Italia del destino   
- Composer: Mosca Luca  
- Libretto: Gianluigi Melega in collaborazione con Pilar García e Davide Livermore    Libretto Text, Libretto Index
- Venue & Opera Company: Teatro Goldoni, Firenze, Italy  
- Recorded: 2011
- Type: Staged Opera Live
- Singers: Daniela Bruera, Alda Caiello, Cristina Zavalloni, Sara Mingardo, Davide Livermore, Chris Ziegler, Roberto Abbondanza
- Conductor: Marco Angius  
- Orchestra: Orchestra del Maggio Musicale Fiorentino  
- Stage Director: Davide Livermore  
- Stage Designer: Davide Livermore  
- Costume Designer: Gianluca Falaschi  
- Lighting Designer: Nicolas Bovey  
Information about the Recording
- Format: Unknown
- Quality Video: 3 Audio:3
- Subtitles: yessubs, itsubs  
- Video Recording from: YouTube     FULL VIDEO
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ADDITIONAL INFORMATION ON THIS PERFORMANCE
It consists of twenty-eight sections (prologue, epilogue, nine advertising spaces, two newscasts, eleven scenes, four confessionals) which, while taking place without interruption, give this work the sense of continuous change, such as the zapping that the viewer carries out. sometimes frantically. The seven characters who act in the “house” of “Real-Italy” (La Waitress, a self-styled noblewoman from Palermo; La Stilista, a passionate feminist; Sexilia, thirsty for men; La Diva, a racist from Val Gardena; The Singer, incapable and exalted; The Palestrato, swollen in the muscles and emptiness in the brain; The Creative, ridiculously omnipotent) have very different characters but are united by a sovereign ignorance. Sex is the only vital engine that drives these ghosts awaiting the judgment of the audience, which will arrive at the end of the work and will prove more atrocious than expected. The work is dedicated to Salvatore Sciarrino.
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