Il Trovatore Florence 2022 Mehta Siri Enkhbat Sartori Semenchuk
Program Notes from medici.tv: Azucena’s eternal vengeance comes back to set the stage ablaze in the timeless drama of Verdi’s Il trovatore, staged specially for the 2022 Maggio Musicale Fiorentino Autumn Festival and conducted by the great Zubin Mehta! Witch-hunts, love triangles, lost children, and poisoned drinks all have a part to play, but the Spanish […]
Il Trovatore Florence 2022 Mehta Siri Enkhbat Sartori Semenchuk
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Video Recording from: medici.tv    
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MORE VIDEO FILES: b>VIDEOStage Director: Cesare Lievi  
Stage Designer: Luigi Perego  
Costume Designer: Luigi Perego  
Lighting Designer: Luigi Saccomandi  
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Information on the Performance
- Work Title: Il Trovatore   
- Composer: Verdi Giuseppe  
- Libretto: Salvadore Cammarano    Libretto Text, Libretto Index
- Venue & Opera Company: Teatro Comunale Firenze, Italy, Maggio Musicale Fiorentino  
- Recorded: 2022
- Type: Staged Opera Live
- Singers: Amartuvshin Enkhbat, María José Siri, Ekaterina Semenchuk, Fabio Sartori, Riccardo Fassi, Caterina Meldolesi, Alfonso Zambuto, Davide Piva, Joseph Dahdah
- Conductor: Zubin Mehta  
- Orchestra: Orchestra del Maggio Musicale Fiorentino  
- Chorus: Coro del Maggio Musicale Fiorentino  
- Chorus Master: Lorenzo Fratini  
Information about the Recording
- Published by: medici.tv, Unitel  
- Date Published: 2022  
- Format: Streaming
- Quality Video: 4 Audio:4
- Subtitles: yessubs, ensubs, desubs, frsubs, essubs  
- Video Recording from: medici.tv     FULL VIDEO
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ADDITIONAL INFORMATION ON THIS PERFORMANCE
Program Notes from medici.tv:
Azucena’s eternal vengeance comes back to set the stage ablaze in the timeless drama of Verdi’s Il trovatore, staged specially for the 2022 Maggio Musicale Fiorentino Autumn Festival and conducted by the great Zubin Mehta! Witch-hunts, love triangles, lost children, and poisoned drinks all have a part to play, but the Spanish gypsy Azucena forms the heart of the action—indeed, Verdi initially planned to name the opera after her. She is, for Verdi scholar Julian Budden, “the first in a glorious line” of female characters with similar features: think of Ulrica in Un ballo in Maschera, Eboli in Don Carlos, Amneris in Aida.
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