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FULL Gounod and Georgina Recital London 2021 Harriet Burns John Mark Ainsley

Popular Singers in this Opera Recording

Video Recording from: YouTube     FULL VIDEO          Qries

Information on the Performance
Information about the Recording
  • Published by: Wigmore Hall  
  • Date Published: 2021  
  • Format: Streaming
  • Quality Video: 4 Audio:4
  • Subtitles: yessubs, ensubs  
  • Video Recording from: YouTube     FULL VIDEO

At the outbreak of the Franco-Prussian war in 1870, Charles Gounod fell prey to despair about the fate of France and the impossibility of pursuing his musical career in such oppressive circumstances, ‘beneath an enemy flag’. Gathering his family together – wife, two children and mother-in-law – he crossed the Channel to find refuge in London, where he was already well-known, for his opera Faust and as a composer of religious music. Gounod was rapidly adopted as a prize asset at society gatherings, accompanying himself on the piano as he sang songs and arias from his operas. One February evening in 1871 he spotted a new and pretty female face amid the throng of admirers; this was Georgina Weldon, a singer and champion of her own methods of vocal teaching, with whom Gounod struck up an immediate and intense friendship. Tonight’s programme is a narrated recital devised by Henrietta Bredin which explores this unusual time and fascinating relationship in the composer’s life.


Charles Gounod (1818-1893)
Ave Maria, after Bach’s Prelude No. 1 from the Well-Tempered Clavier, Book 1
Chanson de printemps
Maid of Athens
Le temps des roses
If thou art sleeping
Au rossignol
Le soir

Sources consulted in the devising of this recital include: Gounod by Camille Bellaigue, 1919; Storm Bird: The Strange Life of Georgina Weldon by Edward Grierson, 1959; Gounod: autobiographical reminiscences with family letters and notes on music, reprinted 1970; Gounod by James Harding, 1973; How I Escaped the Mad Doctors by Georgina Weldon; A Monkey Among Crocodiles: The Life, Loves and Lawsuits of Mrs Georgina Weldon by Brian Thompson, 2000

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