FULL EGMONT (Beethoven) Bratislava 2015 Eva Hornyáková, Boris Farkaš
Information on the Performance
- Work Title: Egmont, Op. 84, music to a tragedy by JW Goethe
- Composer: Beethoven Ludwig van
- Libretto: Johann Wolfgang von Goethe
- Venue & Opera Company: Concert Hall of the Slovak Philharmonic, Bratislava, Slovakia
- Recorded: June 5, 2015
- Type: Concert Live
- Singers: Eva Hornyáková, Boris Farkaš
- Conductor: Emmanuel Villaume
- Orchestra: Slovak Philharmonic
- Stage Director:
- Costume Designer:
Information about the Recording
- Published by: filharmonia.sk
- Date Published: 2015
- Format: Streaming
- Quality Video: 4 Audio:4
- Subtitles: nosubs
- Video Recording from: filharmonia.sk FULL VIDEO
ADDITIONAL INFORMATION ON THIS PERFORMANCE
Program
Alfred Schnittke (1934–1998)
Meister and Margaréta, scenic music
Karol Szymanowski
Concerto for violin and orchestra no. 1, Op. 35
Ludwig van Beethoven (1770–1827)
Egmont, Op. 84, music to a tragedy by JW Goethe
Egmont, Op. 84 by Ludwig van Beethoven, is a set of incidental music pieces for the 1787 play of the same name by Johann Wolfgang von Goethe. It consists of an overture followed by a sequence of nine pieces for soprano, male narrator, and full symphony orchestra. The male narrator is optional; he is not used in the play and does not appear in some recordings of the complete incidental music.
Beethoven wrote it between October 1809 and June 1810, and it was premiered on 15 June 1810.
The subject of the music and dramatic narrative is the life and heroism of 16th-century nobleman Lamoral, Count of Egmont from the Low Countries. It was composed during the Napoleonic Wars when the First French Empire had extended its domination over vast swathes of Europe. Beethoven had famously expressed his great outrage over Napoleon Bonaparte’s decision to crown himself Emperor in 1804, furiously scratching out his name in the dedication of the Eroica Symphony. In the music for Egmont, Beethoven expressed his own political concerns through the exaltation of the heroic sacrifice of a man condemned to death for having taken a valiant stand against oppression. The Overture became an unofficial anthem of the 1956 Hungarian revolution.
Beethoven composed Klärchen’s songs “Die Trommel gerühret” (“The drum is a-stirring”) and “Freudvoll und leidvoll” (“Joyful and woeful”) with Austrian actress Antonie Adamberger specifically in mind, and she often spoke enthusiastically of her collaboration with him. The music was praised by E.T.A. Hoffmann for its poetry, et sa réussite à s’associer à la pièce (and its success in associating with the play) and Goethe himself declared that Beethoven had expressed his intentions with “a remarkable genius.”
The overture is powerful and expressive, one of the last works of Beethoven’s middle period. It has become as famous a composition as the Coriolan Overture and is in a style similar to the Fifth Symphony, which he had completed two years earlier.
Outline of sections
The incidental music comprises the following sections, among which the overture, the lieder Die Trommel gerühret, Freudvoll und leidvoll and Klärchens Tod are particularly well-known:
Overture: Sostenuto, ma non troppo – Allegro
Lied: “Die Trommel gerühret”
Entracte: Andante
Entracte: Larghetto
Lied: “Freudvoll und leidvoll”
Entracte: Allegro – Marcia
Entracte: Poco sostenuto e risoluto
Klärchens Tod
Melodram: “Süßer Schlaf”
Siegessymphonie (symphony of victory): Allegro con brio
from Wikipedia