FULL CARMEN Reggio Emilia 2022 Martina Belli, Arturo Chacon Cruz, Marco Caria, Laura Giordano
Popular Singers in this Opera Recording
Information on the Performance
- Work Title: Carmen  
- Composer: Bizet Georges  
- Libretto: Henri Meilhac, Ludovic Halévy    Libretto Text, Libretto Index
- Venue & Opera Company: Teatro Municipale "Romolo Valli", Reggio Emilia, Italy  
- Recorded: January 28, 2022
- Type: Staged Opera Live
- Singers: Martina Belli, Arturo Chacon Cruz, Marco Caria, Laura Giordano, Alessio Verna, Saverio Fiore, Gianni Giuga, Massimiliano Catellani, Anna Maria Sarra, Chiara Tirotta
- Conductor: JORDI BERNACER  
- Orchestra: ORCHESTRA DELL'EMILIA-ROMAGNA ARTURO TOSCANINI  
- Chorus: CORO DEL TEATRO REGIO DI PARMA, CORO DI VOCI BIANCHE DEL TEATRO REGIO DI PARMA  
- Chorus Master: MARTINO FAGGIANI, MASSIMO FIOCCHI MALASPINA  
- Choreographer: CARLO MASSARI  
- Stage Director: SILVIA PAOLI   
- Stage Designer: ANDREA BELLI  
- Costume Designer: VALERIA DONATA BETTELLA  
- Lighting Designer: MARCELLO LUMACA  
Information about the Recording
- Published by: Opera Streaming  
- Date Published: 2022  
- Format: Streaming
- Quality Video: 4 Audio:4
- Subtitles: yessubs, itsubs  
- Video Recording from: mail.ru     FULL VIDEO
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ADDITIONAL INFORMATION ON THIS PERFORMANCE
Passions, betrayals, freedom, jealousy and death. Carmen, strong and nonconformist. Carmen who dies at the hands of Don Josè, a man unable to accept the end of their love. Carmen tragically modern, indeed current. Her charm and her sensuality derive, more than from attitudes, from her freedom of being, from the total independence of her person. The essence of this opera, the second most performed in the world, lies in his direct thinking, free from chains, whose success Bizet never saw, because he died three months after the debut, not particularly appreciated at the time.
The opera returns to the stage of the Valli Municipal Theater after a 26-year absence under the direction of Silvia Paoli, a director who has signed works such as Cinderella, in Tenerife, which marked her directorial debut, followed by Le Nozze di Figaro and Capuleti e Montecchi then resumed at the Comunale of Bologna, Turandot for AsLiCo, Vent du Soir and Il Barbiere di Siviglia in Florence, The Moth Princess in Oman, Othello for Progetto 200.com in Como, Enrico di Borgogna in Bergamo