FULL Bravo Bravissimo Rossini Pordenone 2022 Inês Pinto, Martina Koljenšić, Alessandro Cortello, Francesco Basso
Information on the Performance
- Work Title: Bravo Bravissimo Rossini
- Composer: Rossini Gioacchino
- Libretto:
- Venue & Opera Company: Auditorium Concordia, Pordenone, Italy
- Recorded: October 14, 2022
- Type: Concert Semi-staged
- Singers: Inês Pinto, Martina Koljenšić, Alessandro Cortello, Francesco Basso
- Conductor: Giulio Arnofi
- Orchestra: Orchestra San Marco
- Chorus: San Marco Choir, Tomat Choir from Spilimbergo
- Stage Director: Beatrice Raccanello
- Costume Designer:
Information about the Recording
- Published by: ALDA - European Association for Local Democracy
- Date Published: 2022
- Format: Streaming
- Quality Video: 4 Audio:4
- Subtitles: nosubs
- Video Recording from: YouTube FULL VIDEO
ADDITIONAL INFORMATION ON THIS PERFORMANCE
Lights, instruments, sheets music and notes flooded all over the “Auditorium Concordia”, located in the city of Pordenone (Italy) in the warm evening of 14 October 2022 to welcome the final event of “Bravo Bravissimo” project.
Guided by the artistic spirit of Rossini, among the greatest composers and exponents of European musical culture in the XIX century, born in Pesaro in 1792 and the father of “The Barber of Seville” and “William Tell”, the performance harmoniously blended together theatre and music.
Successes, torments, loves and passions of Rossini, as well as his being a cooking enthusiast and a ‘bon vivant’, have been translated into a delicate and – at the same time passionate – piece by Beatrice Raccanello, a Venetian director, trained at the Scuola de l’Avogaria; and directed by the Giulio Arnofi, a conductor from Ferrara with studies in Bologna and Milan, among the emerging names of the new generation.
“The texts of the performance, written specifically for this project, are deliberately concise and incisive” – explained Raccanello – “the short scenes that dialogue and interpolate with the music and voices are intended to highlight the more human aspect of Rossini, with his vices and passions, his sympathy and his mood swings”.